Earlier this spring, SCHEUSAL released their debut album, Urwahn, the so-far-mysterious entity strikes while the iron's red-hot with Fressfeind. Thankfully, not much has changed here on this second full-length. Pure 'n' proud Teutonic black metal is still the order of the day, but just like Urwahn did so stridently, Fressfeind further twists SCHEUSAL's unique iteration of German steel. Maybe going the martial-folkish direction more thoroughly, maybe running routes that are even more restless - whatever headspace you enter Fressfeind, the one-man band goes for the fucking throat, mischievous as ever. Indeed, that apt descriptor encompasses the mainman's vocals again, as the same crew of characters - the screamer, the shouter, the hooligan, the imp, the devil - all fight for breath here on this ever-shifting landscape. That landscape is painted with a production that's raw and rotten and yet somehow crisp and crystalline, making these nine screeds of mania all the more absurdly engaging and antagonizing. Alternately melancholic and triumphant, Fressfeind is the sound of SCHEUSAL on the march!
Dunkle, mystische Melodien weben sich schicksalshaft durch die Kompositionen, verschmelzen mit der endlosen Nacht und lassen die Schatten alter Legenden durch die verlassene, von Nebel umhüllte Landschaft wandern.
Svekkelse is the sixth full-length album from the Trondheim based black metal band Gjendød. The second album as a three-piece. Svekkelse continues where the previous album Livskramper quit, but this time, the band has turned it all up a notch. The band never worked with their compositions with such an intensity before.
FROSTEN is the most recent creation of prolific UK underground veteran Azrael, who also numbers such entities as Heathen Deity, Helvellyn, Torver, and now-labelmates THY DYING LIGHT among his many current endeavors. As FROSTEN, the duo of Azrael and session drummer Julian Foster play True English Black Metal.
PROFANATICA require no introduction. Cold 'n' alone American black metal before "USBM" became some dumb rallying term, pushing boundaries and "good taste" with vile blasphemy and even-more-vile music, and simply doing whatever the fuck they want, both in their original early '90s guise and their now-intensely-prolific period in the 21st millennium: there's only ever been one true PROFANATICA.
Canadian Black Metal Chaos machine REVENGE has announced a follow-up strike for 2020 in the form of a re-issue of their ‘Attack.Blood.Revenge‘ EP with bonus tracks.With the chimes of death ringing in their 20th year in 2020, alongside the prominence that REVENGE has earned releasing multiple albums and EP‘s over the past two decades, it seems fitting to re-release the debut EP that declared to the world the band‘s intentions of being a solitary black mist of death that smothers the trends tainting the black metal underground.
Als Satyricon mit ›Nemesis Divina‹ 1996 ihr drittes Album veröffentlichten, war ihr Status als eine der bedeutendsten und kreativsten Bands in der norwegischen Black Metal-Szene schon über jeden Zweifel erhaben. Doch Nemesis Divina war keine gewöhnliche Veröffentlichung oder nur ein weiterer Schritt auf der Treppe zum Ruhm.
French black metal pioneers SETH have once again lit the flame of the early days with ‘La Morsure du Christ', which can be seen as a sequel to their 1998 acclaimed debut ‘Les blessures de l'âme'.
REVENGE continue to forge a solitary path. The Canadian chaos veterans once again defy what is considered modern black metal. J. Read and his long-standing partner Vermin build an impenetrable wall of frenzied guitars and scum decapitating bass on their seventh album. ‘Violation.Strife.Abominate’ is a 12-song crown of elitism atop the band’s 25-year history of dominating the outer fringes of the black metal sphere.
Compact disk comes with a bonus disk featuring alternative versions of the album tracks with Cryptic Winter (Judas Iscariot etc.) on drums along with unreleased material.