PROFANATICA require no introduction. Cold 'n' alone American black metal before "USBM" became some dumb rallying term, pushing boundaries and "good taste" with vile blasphemy and even-more-vile music, and simply doing whatever the fuck they want, both in their original early '90s guise and their now-intensely-prolific period in the 21st millennium: there's only ever been one true PROFANATICA.
However, let it be known than PROFANATICA are NOT standard "black metal," but rather their own rarefied strain of BLACK / DEATH metal. They've been proving it the last handful of years, and prove it more perversely than ever with Wreathed in Dead Angels. The band's return to longtime supporters HELLS HEADBANGERS features six brand-new tracks in a swift 'n' salacious 22 minutes: immediately, irrevocably PROFANATICA from beginning to end. But, while the power-trio maintain a signature sound, by no means are they repeating past glories. From the utterly gutted guitar tone to the cultivated primitivism of founder Paul Ledney's drumming to the creeping / crushing songwriting, Wreathed in Dead Angels vulgarly displays PROFANATICA just entering their prime - all the more amazing for a band that's been around since 1990.
Dunkle, mystische Melodien weben sich schicksalshaft durch die Kompositionen, verschmelzen mit der endlosen Nacht und lassen die Schatten alter Legenden durch die verlassene, von Nebel umhüllte Landschaft wandern.
Svekkelse is the sixth full-length album from the Trondheim based black metal band Gjendød. The second album as a three-piece. Svekkelse continues where the previous album Livskramper quit, but this time, the band has turned it all up a notch. The band never worked with their compositions with such an intensity before.
FROSTEN is the most recent creation of prolific UK underground veteran Azrael, who also numbers such entities as Heathen Deity, Helvellyn, Torver, and now-labelmates THY DYING LIGHT among his many current endeavors. As FROSTEN, the duo of Azrael and session drummer Julian Foster play True English Black Metal.
Earlier this spring, SCHEUSAL released their debut album, Urwahn, the so-far-mysterious entity strikes while the iron's red-hot with Fressfeind. Thankfully, not much has changed here on this second full-length. Pure 'n' proud Teutonic black metal is still the order of the day, but just like Urwahn did so stridently, Fressfeind further twists SCHEUSAL's unique iteration of German steel.
Widely considered one of the first "war metal" albums - if not THE first, actually - BESTIAL WARLUST's debut was a shockingly violent and utterly barbaric slab of black metal that literally had no peer upon its release in 1994.
The Dragging Poison is not an attempt at innovation—it is a statement of devotion. A poisoned chalice offered to those who still revere the cold, untamed essence of Black Metal as it once was: uncompromising, ritualistic, and unburdened by modernity.
Offensive, blood- chilling, straightforward black metal. The third and final chapter of trilogy including "Sowing with Salt" & "Justice". The first HATE FOREST album with live drums.
Anticipated debut album of Belgium's maniacal entity Heinous. All new tracks of hammering Black Metal with possessed vocals (recorded at night in an abandoned fortress), grandiose keyboards and a massive production.