In 2017, GOATMOON truly etched its name its Finnish black metal legendry with Stella Polaris, a monument of cosmic, snow-capped majesty. The entirely dungeon synth Silver Serpent followed in 2021, but now arrives GOATMOON's full-length return to black metal with What Once Was… Shall Be Again. As presaged by its title, there's an undeniably yearning and nostalgic aspect to the band's characteristically epic ruminations, occasionally/often dusted by folkloric synths. But if one were to assume that What Once Was… Shall Be Again would further continue that refinement – and indeed, in large part, it does – the album equally takes GOATMOON back to their earliest, rawest roots, here temped by the steely-eyed austerity of older age and wisdom. It's a skillful balance pulled off with aplomb, proving that the band honor their history but rarely repeat themselves. And more than anything, it provides another dazzling new canvas on which warriors and dreamers can explore…but no safe spaces here, of course. No other words necessary: What Once Was... Shall Be Again!
Aus den tiefen Schatten des Jahres 2012 erhebt sich die Dunkelheit erneut – schwer, langsam und unerbittlich. ASKEREGN lassen ihr längst kultisch verehrtes Album „Ascheregen“ wieder auferstehen und veröffentlichen es erstmals auf Vinyl.
After over 20 years, we are proud to offer a dark jewel from the Werewolf records vault: The unreleased, and at the time harshly refused and then abandoned original recording of the first Goatmoon album.
Svekkelse is the sixth full-length album from the Trondheim based black metal band Gjendød. The second album as a three-piece. Svekkelse continues where the previous album Livskramper quit, but this time, the band has turned it all up a notch. The band never worked with their compositions with such an intensity before.
Hier kommt Black Metal aus Deutschland. Im Ankündigungsschreiben zum zweiten Album von FULLMOON RITES wird erwähnt, dass der Kopf hinter dem Projekt bereits in mehreren Death-Metal-Bands aktiv ist und war. Namen, die mir allerdings gänzlich unbekannt sind. Das tut der Sache jedoch keinen Abbruch, denn „Ad Lucifer Aeternum Gloriam“ spricht für sich selbst.
Horna was created by Shatraug (guitar, vocals) and Moredhel (bass) back in 1993 under the name Shadowed. In 1994 Gorthaur (drums) joined the band and the name was changed to Horna.
“The Struggle for Existence” marks a pivotal evolution, not only consolidating the lo-fi brutality familiar from their earlier releases, but also venturing boldly into new sonic territories. While traces of influences such as Eisenwinter, Rostorchester or Totale Vernichtung can still be discerned, the record distinguishes itself with a noticeably brisker tempo and an infusion of the saccharine Finnish flavor, a refreshing twist that propels the music forward.
No other words are necessary: ancient-days Teutonic black metal continues to be on the rise, and EISENKULT are leading the charge with Vulgäre, deutsche Hassmusik!