The work of one selfsame Häxär, concurrently of Ernte, HÄXÄR are a lone torch of Swiss black metal. Now, after two albums in as many years, HÄXÄR present their third album of turn-of-the-millennium nastiness: Teufelskult. Ripped raw and ripping, Teufelskult possesses that dead-but-alive electricity that so earmarked many a Moonfog release as Y2K approached. One could erroneously describe it as "industrialized" or even "robotic," but there's indeed bleeding humanity coursing through every treble-drenched note of HÄXÄR's third attack. More accurately, perhaps, this singed-circuits style of black metal is NECROTIC to the core: harshing out something otherwise polished or polishing something unremittingly harsh, either way arriving at the vintage antagonism of Teufelskult. Above all, the songwriting itself is second-wave classicism sprinkled with a touch of the hooliganism of the modern Teutonic school, or maybe an Alpine analog of Mütiilation's idiom-defining Black Millenium (Grimly Reborn). These references serve not to undercut HÄXÄR's creativity, but rather to underscore the rarefied territory in which Teufelskult is traveling. Get lost like it's 1999!
SERMONS OF THE BLACK FLAME is once again pure Black Metal, committed to the traditions of the Scandi-navian school - but even more varied and epic than its two predecessors.
Originally released in various limited editions since early 2019, Burning Banners of the Funereal War began the saga that is WARMOON LORD. Arguably the best-kept secret of the ever-fertile Finnish black metal underground, the band is the sole work of one Lord Vrajitor, a prolific figure in the wider Finnish music underground, but also concurrently the mainman of Old Sorcery. But whereas that band largely/mostly works within the dungeon synth genre, WARMOON LORD is pure & proud black metal of a most fantastical nature - equally medieval, maybe even more so, but burning with icy-hot passion that so fired the second wave during the mythical 1990s.