The work of one selfsame Häxär, concurrently of Ernte, HÄXÄR are a lone torch of Swiss black metal. Now, after two albums in as many years, HÄXÄR present their third album of turn-of-the-millennium nastiness: Teufelskult. Ripped raw and ripping, Teufelskult possesses that dead-but-alive electricity that so earmarked many a Moonfog release as Y2K approached. One could erroneously describe it as "industrialized" or even "robotic," but there's indeed bleeding humanity coursing through every treble-drenched note of HÄXÄR's third attack. More accurately, perhaps, this singed-circuits style of black metal is NECROTIC to the core: harshing out something otherwise polished or polishing something unremittingly harsh, either way arriving at the vintage antagonism of Teufelskult. Above all, the songwriting itself is second-wave classicism sprinkled with a touch of the hooliganism of the modern Teutonic school, or maybe an Alpine analog of Mütiilation's idiom-defining Black Millenium (Grimly Reborn). These references serve not to undercut HÄXÄR's creativity, but rather to underscore the rarefied territory in which Teufelskult is traveling. Get lost like it's 1999!
Grauen erhebt sich erneut aus den Schatten und führt sein Projekt MORDBERG zurück ins Licht der eisigen Dämmerung. Unter einem neu geschmiedeten Banner und einem veränderten Logo erscheint nun eine neue Veröffentlichung: eine vierteilige EP mit dem Titel „Winter Solitude“. Vier Kapitel, die wie kalte Winde durch verlassene Landschaften ziehen und die Stille der Berge in düsteren Klang bannen.
Atmospheric Black Metal Art (Exclusively) for dreamers and lone wolves alike: GREVE are handily creating their own niche within an already exclusive niche. Föllo af Svavel, Lifvets Dimridå is their latest monument by which to launch journeys to the stars and/or into the self.
SERMONS OF THE BLACK FLAME is once again pure Black Metal, committed to the traditions of the Scandi-navian school - but even more varied and epic than its two predecessors