One of the most notorious names in the still-thriving Finnish black metal scene, GOATMOON has been an uber-prolific force of iron will since the band's creation in 2002, all guided by the monomaniacal hand of BlackGoat Gravedesecrator. Over the years, the band's sound has evolved beyond its super-raw, punk-oriented roots into an honorably refined sound rarely heard in such hateful-yet-epic black metal. In the process, GOATMOON have garnered a more fanatic fanbase...and further infamy.
In 2017, GOATMOON truly etched its name its Finnish black metal legendry with Stella Polaris, a monument of cosmic, snow-capped majesty. The entirely dungeon synth Silver Serpent followed in 2021, but now arrives GOATMOON's full-length return to black metal with What Once Was... Shall Be Again. As presaged by its title, there's an undeniably yearning and nostalgic aspect to the band's characteristically epic ruminations, occasionally/often dusted by folkloric synths. But if one were to assume that What Once Was... Shall Be Again would further continue that refinement - and indeed, in large part, it does - the album equally takes GOATMOON back to their earliest, rawest roots, here temped by the steely-eyed austerity of older age and wisdom. It's a skillful balance pulled off with aplomb, proving that the band honor their history but rarely repeat themselves. And more than anything, it provides another dazzling new canvas on which warriors and dreamers can explore...but no safe spac
Red 12" (180g) in a microtenne innerbag, printed innersleeve, B/W on 220g carton coated paper, private download card, simple jacket, B/W printed on 350g carton, coated paper, all assembled in a plastic overbag.
Limited edition of Behemoth's Antichristian Phenomenon presented on red/blue splatter-effect vinyl, with all seven of its tracks compiled together for the first time on the format.
Back in 1998 I stumbled upon the first Pest demo and was instantly captivated by it. The insane vocals, the crazy selfmade photos, the prominent bass guitar, the acoustic parts, just the songs in itself.
From an era when different winds blew… The 1993 demo presented with original low-quality cover art and including a 1994 rehearsal track of “Heart Of The Ages” as bonus.
No other words are necessary: ancient-days Teutonic black metal continues to be on the rise, and EISENKULT are leading the charge with Vulgäre, deutsche Hassmusik!