VRITRAHN-WERWOLF formed in 2014 as a conspiracy between infamous antagonist Werwolf and erstwhile WHITE DEATH frontman Vritrahn - hence, their moniker. Two vile demos followed in quick succession over 2014 and 2015, followed by a thematic 12" EP in 2017. Across these cruelly short recordings, VRITRAHN-WERWOLF spanned a surprising variety of black metalled songcrafts, from the regal 'n' vampiric to the primitive 'n' punkish and plenty of points in between, but the ultimate aim always remained: unapologetic blasphemy, a resolute lawlessness, and utter desecration and DEDICATION.
BEHEXEN should require no introduction. One of the longest-running Finnish black metal bands, BEHEXEN have patiently spread out their album releases in such a manner that each serves as a tome, a poignant snapshot of that era of its creators, with each being unique in its headspace but undeniably coming from the same visionary minds. But prior to essential early albums like 2000's Rituale Satanum and 2004's classic By the Blessing of Satan, BEHEXEN had recorded a trio of equally compelling demos - and even one prior, under the moniker Lords of the Left Hand, in 1995.
Tara, as a dual-album set. Originally released in late May of 2001, it has been a highly celebrated recording and a loyal favorite amongst Absu's followers.
Emerging from the shadows in early 2021, the duo of Count Revenant and Anzillu released TWO full-lengths that year: Necuratul and Arrival of the Plague Bearer.