Profanatica's brand of blasphemous filth remains as unwavering as ever, and their 2019 album Rotting Incarnation of God is another testament to their unholy devotion. With this full-length, Paul Ledney and company unleash a sonic assault that is both punishing and ritualistic, dragging the listener through murky depths of blackened death metal depravity.
The album opens with an eerie, almost unsettling atmosphere before erupting into a barrage of raw, primitive riffs and relentless drumming. Tracks like Liturgy of Impurity and Prayer in Eclipse exhibit Profanatica's signature approach—feral, stripped-down black metal driven by cavernous guitar tones and Ledney's unmistakable vocal blasphemies. The production balances clarity and filth, allowing the instruments to cut through the chaos while maintaining a suffocating, claustrophobic aura.
While some may argue that Profanatica operates within a familiar framework, that steadfastness is precisely what makes them so effective. They have honed their sound to perfection, with no need for reinvention—only refinement. When the tempo slows, such as on the title track, the band leans into a doom-laden dirge, making the album feel even more oppressive. These moments of brooding tension only enhance the inevitable return to blistering speed, reinforcing the relentless nature of the record.
With Rotting Incarnation of God, Profanatica continued their crusade of sacrilegious extremity, delivering another offering of vile, unrepentant black metal. It's raw, uncompromising, and unapologetically profane—exactly what one would expect from these underground veterans.
This split album may seem like a strange pairing, but it couldn't be more fitting! Both entity's tracks are based around the paranormal and Occult activity which this particular Mountain is notorious for, not only in local folklore but Azgorh's own personal experiences in the house he grew up in on the mountain, as well as many experiences within the forest of the mountain over the years since... and still to this day.
"To Lunar Poetry" is a full-length album that contains the new versions of timeless classics from the "Lunar Poetry" demo that were written by the band (thus leaving in 1996 the material from other authors that was present of the demo). Beyond this, new album brings forth the renewed Return of the Vampire Lord epic initially released in 1997 on the EP of the same name and new full-force intro composition.
The profits generated on the DONATION EDITION will be used to finance the artistic community, and musical distribution with which we work in Kharkiv and its region. Another donation will be set up for the Kharkiv charity as soon as the local technical means are gathered for its setting up.
ΑΧΕΡΟΝΤΑΣ stands beyond and against the veils of mundane illusion. In a world shackled by politics—the ultimate deception and enslavement of the mind—the Coven upholds the path of individual ascension, where spiritual evolution is the only truth and the only freedom. For almost three decades, ΑΧΕΡΟΝΤΑΣ has not merely played music—it has performed Spiritual Art. The Great Work endures…