By now, the name MAVORIM should be more than familiar to those who follow the crimes of PURITY THROUGH FIRE. Since the band's formation in 2014, mainman Baptist has restlessly and relentlessly pursued his stark, austere style of black metal, resulting in three full-lengths and seven other shorter-length works. Collectively, MAVORIM have quickly come to define the new breed of German black metal that hearkens back to the old guard: Teutonic to the bone, harsh and harrowing yet heralding triumph.
And so the battle wages on with MAVORIM's fourth album, Ab Amitia Pulsae. Immediately and dramatically, this is classic MAVORIM - charging hard onto the battlefield, bloody swords raised, rough-yet-rousing melodicism to the fore, with Baptist's gruff, exhortative throat leading the charge - but as Ab Amitia Pulsae plays on, new vistas of their signature sound are revealed. While still qualitatively a black metal record, MAVORIM's fourth album displays deft layering of sounds, particularly Baptist's subtle-yet-concerted integration of keyboards and other synth sounds, altogether adding an exceptionally dynamic contour to otherwise-straightforward aggression. Further, his guitar leads display a much wider swath of feeling as well as texture, each song seemingly featuring something quite new in the greater MAVORIM dialect, while drumming co-conspirator Valfor occasionally add his choral voices to poignant effect. And it's gripping and urgent all the way through to the 53-minute album's end...again and again and again.
At times tragic, at times folkloric, melancholy giving way to bloodlust, Ab Amitia Pulsae proves once again that MAVORIM are uniquely adept at fully coloring within the lines of black metal with the boldest and bravest hues.
No other words are necessary: ancient-days Teutonic black metal continues to be on the rise, and EISENKULT are leading the charge with Vulgäre, deutsche Hassmusik!
Alas, 2024 has proven to be predictably bountiful for ORDER OF NOSFERAT, as The Absence of Grace arrived as the snows began to melt - and now, as those snows soon take hold, so does yet another full-length.
ASHTAR aus der Schweiz – Musikerin ASKAHEX teilt auf ihrem neuen Album „The Return of the Frozen Souls“ ihre Geschichten über ihre persönlichen Veränderungen und der rituelle Lust. Der Zorn der Göttin ist erwacht und die Gier nach Rache damit entfacht. Vereint in der Schönheit der Natur umringt von poetischer Dunkelheit.
Profanatica's brand of blasphemous filth remains as unwavering as ever, and their 2019 album Rotting Incarnation of God is another testament to their unholy devotion. With this full-length, Paul Ledney and company unleash a sonic assault that is both punishing and ritualistic, dragging the listener through murky depths of blackened death metal depravity.