"Tuiflsrijtt" is Bavarian/Austrian for “devil's ride” and associates both the Krampus runs and the history behind the Krampus figure (myth, legend and tradition). The album functions as a bridge across the borders of this world to the devil's realm and the Rauhnächte, conjuring not only the dark Krampus figure who tortures the flesh with his rods and chains and carries off the doomed souls, but also the essence of the Drude, who torments her victims, Perchten, who take the souls away to the realm of the dead and the raging demons of the Wild Hunt.
"Tuiflsrijtt" is a consistent further development of the existing concept. Atmospheric Black Metal with an old school touch of the 2nd wave, which, however, has clearly increased in speed and aggressiveness compared to previous releases.
Das neue Werk von TOTENHEER aus Luzern. Noch im März 2019 verabschiedet sich Gitarrist Abyss (1993 – 2019) freiwillig aus dem Leben. Nun also das zweite voll Album, welches bereits im Januar 2018 aufgenommen, gemischt und gemastert wurde. Daher kann es auch als ein Andenken an den verstorbenen Gitarristen sein.
"To Lunar Poetry" is a full-length album that contains the new versions of timeless classics from the "Lunar Poetry" demo that were written by the band (thus leaving in 1996 the material from other authors that was present of the demo). Beyond this, new album brings forth the renewed Return of the Vampire Lord epic initially released in 1997 on the EP of the same name and new full-force intro composition.
'Panzerfaust', Darkthrone's fifth album was originally released in 1995 on the Norwegian label, Moonfog (the label previously owned by Satyr of Satyricon)
The Dragging Poison is not an attempt at innovation—it is a statement of devotion. A poisoned chalice offered to those who still revere the cold, untamed essence of Black Metal as it once was: uncompromising, ritualistic, and unburdened by modernity.
Das Black-Metal-Urgestein DARKMOON WARRIOR entfesselt abermals das Chaos! Die Band aus Brandenburg gehört zu den dienstältesten im deutschen Underground und zu jenen, die authentisch die Flamme des Schwarzmetalls am Lodern halten – wie auch ihr neues Werk »Graveyard Planet« aufs Eindrucksvollste beweist.