Since their formation in 2007, MINENWERFER have pursued a proud 'n' pure vision of black metal idiosyncratically focused on World War I - idiosyncratic, in the sense that the band hail from America but mostly sing in German. What has resulted is a startlingly accomplished canon that has quietly built itself into prolific proportions, with their first album arriving in 2010, followed by albums in 2012 and 2019, and a slew of split releases and EPs in the interim.
That first album, Volkslieder, was a throttling first introduction to MINENWERFER's unique world. Grim and violent but not short on grace, Volkslieder indeed conveyed a folkish element that was by turns tragic and triumphant. And while the duo's foot was firmly on the accelera to here, it never sacrificed strong songwriting, with those icy-hot melodies searing the soul during every successive spin.
Re-issue, 400x black 12" (180g) in a black poly-lined innerbag, download card, gatefold, full-color - black flood insideon 350g, all assembled in a PVC overbag.
BEHEXEN should require no introduction. One of the longest-running Finnish black metal bands, BEHEXEN have patiently spread out their album releases in such a manner that each serves as a tome, a poignant snapshot of that era of its creators, with each being unique in its headspace but undeniably coming from the same visionary minds. But prior to essential early albums like 2000's Rituale Satanum and 2004's classic By the Blessing of Satan, BEHEXEN had recorded a trio of equally compelling demos - and even one prior, under the moniker Lords of the Left Hand, in 1995.