Since their formation in 2007, MINENWERFER have pursued a proud 'n' pure vision of black metal idiosyncratically focused on World War I - idiosyncratic, in the sense that the band hail from America but mostly sing in German. What has resulted is a startlingly accomplished canon that has quietly built itself into prolific proportions, with their first album arriving in 2010, followed by albums in 2012 and 2019, and a slew of split releases and EPs in the interim.
That first album, Volkslieder, was a throttling first introduction to MINENWERFER's unique world. Grim and violent but not short on grace, Volkslieder indeed conveyed a folkish element that was by turns tragic and triumphant. And while the duo's foot was firmly on the accelera to here, it never sacrificed strong songwriting, with those icy-hot melodies searing the soul during every successive spin.
Re-issue, 299x gold with black marble effect 12" (180g) in a black poly-lined innerbag, download card, gatefold, full-color - black flood insideon 350g, all assembled in a PVC overbag.
It will be dispatched when the item with the latest release date is available. 2 sides, 2 colours. Gildan heavy cotton. Official licence from Werewolf records.
The Dragging Poison is not an attempt at innovation—it is a statement of devotion. A poisoned chalice offered to those who still revere the cold, untamed essence of Black Metal as it once was: uncompromising, ritualistic, and unburdened by modernity.
Fünftes Album der deutschen Black Metal Horde Krater. Mit "Phrenesis" haben KRATER erneut ein fieses, schnelles und brutales Black Metal Monster erschaffen.
The Dragging Poison is not an attempt at innovation—it is a statement of devotion. A poisoned chalice offered to those who still revere the cold, untamed essence of Black Metal as it once was: uncompromising, ritualistic, and unburdened by modernity.
Das neue Werk von TOTENHEER aus Luzern. Noch im März 2019 verabschiedet sich Gitarrist Abyss (1993 – 2019) freiwillig aus dem Leben. Nun also das zweite voll Album, welches bereits im Januar 2018 aufgenommen, gemischt und gemastert wurde. Daher kann es auch als ein Andenken an den verstorbenen Gitarristen sein.