This Black Metal creation is not merely an album but an invocation, a descent into cryptic corridors where the macabre takes form and shadows weave their endless dance. With raw and deliberate mid-tempo passages, the music conjures the spirit of forgotten burial grounds, echoing with the weight of centuries of despair.
Comes in a 180g purple vinyl format, which includes insert. Limited to 250 copies.
Heavyweight black 12" (180g) in a microtene innerbag, printed innersleeve, 1/0 K on 220g carton (uncoated paper) download card, jacket, 1/1 K/K - black flood inside, printed on 350g carton, uncoated (matt) paper with UV spot lacquer, all assembled in a plastic overbag.
Endlich, RUNENWACHT sind zurück mit einem neuem Album " Das letzte Geleit". Inhaltlich widmen sich die zehn Stücke erneut der nordischen und heidnischen Mythologie. Auch zentrale Themen der Edda – der bedeutenden Sammlung von Götter- und Heldensagen – finden ihren Platz und verleihen dem Album eine tiefere mythologische Dimension.
500x bloodred 7" (42g) in a microtene innerbag, innersleeve printed black & white on 200g art paper (gloss), jacket printed black & white on 350g carton, coated paper (semi-gloss), all assembled in a plastic overbag.
Long time sold out official Osmose Productions designed version, now revisited due to all massive bootlegs around. 2 sides, 2 colors. Gildan heavy cotton.
SERMONS OF THE BLACK FLAME is once again pure Black Metal, committed to the traditions of the Scandi-navian school - but even more varied and epic than its two predecessors.
In a long overdue return, Portugal's The Ominous Circle rise again from the mist with their sophomore album "Cloven Tongues of Fire", a deeper descent into the great, endless chasms. A maelstrom of fire and relentless chaos that defies everything in this age of empty standards and sterile paradigms, the new full-length effort represents their darkest, most intense and uncompromising manifest to date, both a witness to the wickedness of iniquity and a tribute to the arts of the extreme.
Back in 1998 I stumbled upon the first Pest demo and was instantly captivated by it. The insane vocals, the crazy selfmade photos, the prominent bass guitar, the acoustic parts, just the songs in itself.