Black vinyl edition. Housed in a triple gatefold jacket with a 12-page A5-booklet and a woven patch.
Tracks A1 to A4 were originally released as the "From Black Flames to Witchcraft" demo tape in 1991. Tracks C1 to D3 were originally released as the Witchmaster demo tape in 1991. Recorded and mixed during October and November of 1991 (YABB) at Inferno-studio. Tracks E1 to E4 were originally released as the Battlecry demo tape in 1992. Recorded in March 1992 a Gothic Sound Studio. Tracks F1 to F4 were originally released as the studio side of the Sanctus Satanas (Studio & Stage) demo tape in 1993. Recorded in 1993 at Schizophrenic Sound Studio.
Vinyl mastering from the original demo tapes in 2018.
– 350gsm Jacket with inside flooded in purple and matt varnish – 140g Black Vinyl with purple silk screen print on Side B – 250gsm Art Paper Insert – Limited to 500 copies
Reprint, 300 x 2-color split - aqua blue/highlighter yellow 12" (140g) in a microtene innerbag, printed innersleeve, full-color on 220g, gatefold jacket, full-color + pms on 350g, all assembled in a PVC overbag.
Originally released in various limited editions since early 2019, Burning Banners of the Funereal War began the saga that is WARMOON LORD. Arguably the best-kept secret of the ever-fertile Finnish black metal underground, the band is the sole work of one Lord Vrajitor, a prolific figure in the wider Finnish music underground, but also concurrently the mainman of Old Sorcery. But whereas that band largely/mostly works within the dungeon synth genre, WARMOON LORD is pure & proud black metal of a most fantastical nature - equally medieval, maybe even more so, but burning with icy-hot passion that so fired the second wave during the mythical 1990s.
Galaxy (milky clear/black) 12" (140g) in a microtene innerbag, printed innersleeve on 220g carton (coated paper), download card, simple jacket, black flood print inside, printed on 350g carton, coated paper (semi-gloss), all assembled in a plastic overbag.
Tara, as a dual-album set. Originally released in late May of 2001, it has been a highly celebrated recording and a loyal favorite amongst Absu's followers.