From their first two demos in 2018 and then their breakout self-titled debut album the following year, NACHTIG have stormed the gates of sadness with some of the most soul-penetrating black metal melancholy of recent times. Mainman V. V. is no stranger to the scene, of course, numbering as he does labelmates VALOSTA VARJOON and COSMIC BURIAL, but NACHTIG is arguably his most personal project, on myriad levels. The successive Der stille Wald full-length in 2021 proved this with a passion and poignancy that was spellbinding - and spellbindingly SAD - to behold.
That album maintained a monolithic aspect at a towering 55 minutes, and thus does NACHTIG return with a comparatively more compact record in Eisig' Romantik. It's still epic, to be sure - four songs in 45 minutes, each one hovering around the 11-minute mark - but it's the sensations within that truly render the album an EPIC of breathtaking, daresay-beautiful sadness. Its predecessor spiritually nodded to early '90s doom-death, with the Spartan piano of yore largely replaced by a haunting fog of synths; Eisig' Romantik maintains a purer black metal core, but the synths hover ever more dramatically here, often directing the crescendo of emotion to cathartic heights - or, rather, depths. But it's V. V.'s characteristically heartaching riffing that really pushes the record into the halls of greatness, as layers of majestically melancholic riff seamlessly twine into said synths and utterly damning catharsis continues as each minute builds and blends and builds some more, all without dipping down the tempo. There's actual energy to this sadness, and it MOVES.
Completed by a plausibly professional production that doesn't negate the raw grit of emotion, NACHTIG's Eisig' Romantik is bound to be the year's saddest black metal record - and one of the most engrossing.
Hier kommt Black Metal aus Deutschland. Im Ankündigungsschreiben zum zweiten Album von FULLMOON RITES wird erwähnt, dass der Kopf hinter dem Projekt bereits in mehreren Death-Metal-Bands aktiv ist und war. Namen, die mir allerdings gänzlich unbekannt sind. Das tut der Sache jedoch keinen Abbruch, denn „Ad Lucifer Aeternum Gloriam“ spricht für sich selbst.
“The Struggle for Existence” marks a pivotal evolution, not only consolidating the lo-fi brutality familiar from their earlier releases, but also venturing boldly into new sonic territories. While traces of influences such as Eisenwinter, Rostorchester or Totale Vernichtung can still be discerned, the record distinguishes itself with a noticeably brisker tempo and an infusion of the saccharine Finnish flavor, a refreshing twist that propels the music forward.
Svekkelse is the sixth full-length album from the Trondheim based black metal band Gjendød. The second album as a three-piece. Svekkelse continues where the previous album Livskramper quit, but this time, the band has turned it all up a notch. The band never worked with their compositions with such an intensity before.