In terms of genres “Atmospheric Black Metal” probably comes closest to Auro’s music. A strong 90’s vibe is clearly present in the songs –induced by screeching old-school guitar compositions, skillfully used keyboard passages and an overall raw, yet differentiated production that create that certain feeling and energy. The thunderous, most time ragingly fast played drums as well as the blood-freezing vocals of both Dragg and Framan (Drudensang, Schrat...) provide a massive level of dynamics and sheer power within the eight songs.
Auro is a merging of the words Aura and Ouroboros. Ouroboros, the self-consumer, symbolizes a completely autarkic entity. It personifies the ultimate utopia to be achieved: The creation of a social and emotional micro cosmos without any interaction with the abominable outer world. Aura is the tool which is purposely used as a hammer - destructively smashed in the grotesque face of society for deterrence. And yet at the same time to build the foundation of the very own existence – as part of the individual cosmos. This concept is mapped in illustrative lyrics on the album, extending from apocalyptic visions of fire storms, eradication, death and decay to astral journeys, leaving behind humanity and coming into touch with the omnipresent ancient scaled god.
Fallen is the 9th studio album from Burzum, and follows the highly critically acclaimed 2010 release Belus which put Burzum straight back at the at the top of the chain as of one of the most innovative and creative metal artists of our time. Fallen follows Belus in sound and structure, and can also be compared to the music on the groundbreaking DET SOM ENGANG VAR. Fallen is more dynamic and hard hitting then Belus and has an even bigger sound, but still carries the same trademark melodic melody lines throughout that makes Burzum sound so iconic and unique.
Under A Funeral Moon, Darkthrone's third album, was originally released by Peaceville in 1993 and is the album that many Darkthrone fans hail as the ultimate manifesto for Black Metal.